Classic Movie Review: To Kill a Mockingbird

It’s hard to summon enough superlatives to describe To Kill a Mockingbird, which I consider one of Hollywood’s greatest classic movies. I suppose it would have been difficult to go wrong, considering the book it came from continues to be a huge success. In my opinion, though, the movie transcended the book. The timeless story of a good man standing up for what is right is dynamic on the page, but it becomes even larger on film.

Artfully directed by Robert Mulligan, the movie was filmed on the Universal Studios backlot. Due to set decorator Henry Bumstead’s efforts, the set didn’t look like yet another Hollywood creation. It was made to look like Macomb County, Alabama, with the help of houses scheduled to be destroyed to make way for the Pasadena Freeway. Bumstead found the Craftsman-style houses just in time and moved them to the Universal lot to recreate the specific world that was the South in the 1930s.

The perfect set is in keeping with the exemplary cast. Gregory Peck, who embodied the part of dignified Southern lawyer and father Atticus Finch as if he were born to play him, was joined by unknowns Mary Badham and Phillip Althorp as his children Scout and Jem. Also in the mix was Macomb visitor Dill, an odd-looking little boy based on author Harper Lee’s childhood friend, Truman Capote. John Megna’s Dill visits Macomb County during the summer and it’s through his, Scout and Jem’s perspectives that the story unfolds. It’s also through their eyes that we’re introduced to the town boogeyman, played by Robert Duvall in his first film role. But Duvall’s Boo Radley isn’t the only supposed monster in town. Robert E. Lee “Bob” Ewell and his daughter Mayella Ewell (played by James Anderson and Collin Wilcox), who wrongly accuse black man Tom Robinson (played by Brock Peters) of rape, are frightening in a much more substantial way.

I know most people wouldn’t consider this a Halloween movie, but for me, the final moments of the film invoke that spirit. I won’t ruin the ending; I’ll just say that it’s scary in the way that only old-fashioned story-telling can be. There are no special effects; the characters have just been so well developed by the end, you feel like you’re right there with them in Macomb
County. You can’t help but sit on the edge of your seat as they move through harrowing circumstances. In the end, however, you find safe haven along with them on their faded but cozy Alabama front porch.

Movie trivia and goofs from To Kill a Mockingbird

Mockingbird was Robert Duvall’s first movie. He stayed out of the sun for six weeks before production started and dyed his hair blond to create the pale affect of Boo Radley, who according to town legend, lived in his parents’ cellar.

Alice Ghostley also made her movie debut in Mockingbird.

Rock Hudson was Universal’s first choice for the role of Atticus Finch. Jimmy Stewart also was offered the part, but believed the script was “too liberal” and feared the film would be controversial.

Mockingbird writer Harper Lee picked the name Finch because it was her mother’s maiden name.
Mary Badham ruined almost every take when the family was eating at the table. Phillip Alford didn’t like eating the same meal repeatedly, and thought Mary was a brat in general, so when he rolled her in the tire down the street, he intentionally aimed it at an equipment truck to try to hurt her.
The American Film Institute voted Atticus Finch the top screen hero of the last 100 years. They also ranked Mockingbird as #2 on their list of the 100 Most Inspiring Movies of All Time and as the #25 Greatest Movie of All Time.

The pennies in the cigar box in the film’s opening are dated 1962, but the story is set in 1932.

When the marble rolls during the opening credits, several members of the camera crew can be seen reflected in it.

When Old Man Radley startles the children when he comes to put cement in the tree, Jem and Scout suddenly appear a few feet farther back than they were just a second before.

The defense table is set next to the jury box during the trial. In real life, the jury always sits on the prosecution’s side of the courtroom.

DVD extras from the collector’s edition of To Kill a Mockingbird (on two discs)

Scene access
Interactive menus
Cast and crew interview
Movie trivia
Featurette: Movie by Gregory Peck’s daughter Cecilia that chronicles both her father’s speaking engagements and his later years
Featurette: Fearful Symmetry: The Making of To Kill a Mockingbird
Audio commentary by director Robert Mulligan and producer Alan Pakula
Original trailer
Subtitles